Dec 172011
 

(Disney, Part 4)

There are several reasons I’ve focused on the period known as the Disney Renaissance for my series of articles on Disney (it probably won’t be the last, since they’re such a huge driving force behind Western animation.) The most practical reason is because I know them the best: as someone who grew up throughout most of the 1990s, I saw many of these movies in theaters, or else owned them on VHS and watched them to pieces (I mean that literally: we’re talking about VHS here, after all). All nostalgia aside, I think this is the most fascinating period of Disney’s history, and one of the most important periods in the history of Western animation in general.

After writing my previous articles, it occurred to me that there may be some of you who aren’t sure exactly what I mean when I talk about the Disney Renaissance. Basically, it was a resurgence of critical interest and popularity for Disney, who had struggled in the 1970s and 1980s, when they began dabbling unsuccessfully in live-action features. The renaissance began with The Little Mermaid in 1989, and is generally considered to have ended with Tarzan in 1999. Disney animated features that fall into this range include The Little Mermaid (1989), Beauty and the Beast (1991), Aladdin (1992), The Lion King (1994),Pocahontas (1995), The Hunchback of Notre Dame (1996), Hercules (1997), Mulan (1998), and Tarzan (1999).

I’ve written a few reviews, told you what I generally like and dislike about the Disney Renaissance format, but I don’t think I’ve given a good overall look at this groundbreaking period. So I’d like to take a look at some of the best moments from the Disney Renaissance.

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Dec 102011
 

This is going to be me, all week long.

For those of you who don’t know, I’m a junior in college. It’s getting close to that glorious time of year known to students nationwide as “winter break”, but first I have a metric shit-ton of work to do for finals. Unfortunately I need to focus on that mountain of work this weekend, so I don’t have time to devote to continuing my series on Disney today. Don’t get too disappointed, though! I’ll be back next Saturday with my fourth (and final) article on Disney. Then, I’ll be taking a look at some of my favorite animated Christmas movies and specials. So stay tuned!

In the meantime, here are some previews of the animated shorts on the shortlist for the 2012 Best Animated Short Oscar nomination:

Dimanche
Dir. Patrick Doyon for the 
National Film Board of Canada

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Dec 032011
 

In my previous Disney articles, I complained at length about Disney. In those articles, I argued that Aladdin and The Hunchback of Notre Dame were both held back by the “Disney formula”, which includes (among other characteristics) several catchy musical numbers, wacky sidekicks (an animation pet peeve of mine), and a happy ending. There’s a reason Disney stuck to this formula for much of the late 1980s and 90s, though: there are several popular and acclaimed Disney movies that use this formula to their advantage. The Little Mermaid, The Lion King, and Mulan are all great examples; however, when I think of the best Disney movies – ones where the Disney formula that cemented itself during the Disney Renaissance works to the film’s benefit in nearly every respect, that are nearly perfect examples of the art of animation – there’s one film that always comes to mind first: Beauty and the Beast.

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Nov 262011
 

For those of you who missed it, I reviewed Aladdin last week because I wanted to discuss what may be the biggest driving force behind Western animation: Disney. The movies and production methods of Walt Disney Pictures are so massively influential that I’ve decided I shouldn’t contain my discussion of them to one article. So join me for the second part of my series on Disney, this time focusing on The Hunchback of Notre Dame.

My Aladdin article was a bit critical of the Disney method. I think it’s important for me to establish that I don’t actually think poorly of Disney. For all the bad influences the studio has had on the field of animation in general (mostly as a result of formulaic storytelling and insidious distribution methods), Disney has produced many classic animated films and have generally been pioneers of animation techniques and trends since their inception.

That said, I’m going to complain just a little bit more before getting to the good stuff in my next two articles.

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Nov 192011
 

For last week’s edition of Saturday Morning Cartoons, I talked at length about why I feel animation can be equally satisfying for adults as for children.One point that I would like to emphasize is my position that nostalgia is one great joy animation can provide for the adult viewer; however, nostalgia is a somewhat unique experience. It can be either an incredibly rich, satisfying emotion or a fleeting syrupy feeling that doesn’t really amount to much once the moment has passed. The most puzzling thing to me about nostalgia’s effect on people is that it is often the second, more empty version of nostalgia that inspires blind devotion in an audience.

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Nov 122011
 

The past five weeks here on Saturday Morning Cartoons, I’ve focused on films from the DC Animated Universe. Right now I’m getting out of that mode and moving back toward my regularly-scheduled content (believe it or not, I set out on this series intending to work mostly with television cartoons,) but first, I want to take a little aside and talk about The Iron Giant. In the midst of watching the DC movies for October, I decided to watch The Iron Giant as a break both from DC and all the other work I have to do on a weekly basis. As soon as I finished watching it, I knew I had to write about it. Continue reading »

Nov 052011
 

Now that DC Animated Universe month on Saturday Morning Cartoons is over, I’ve made a few realizations. Much to my disappointment, the movies that I watched last month significantly lowered my opinion of the DC animated canon as a whole. I reviewed Batman: Under the Red Hood, Wonder Woman, Green Lantern: First Flight, and All-Star Superman, and attempted to review Justice League: Crisis on Two Earths (which was so bland that I found myself with nothing to say and unable to write a decent review.) The only movie I really enjoyed out of the five was Batman: Under the Red Hood, but I expect no less from DC when it comes to Batman adaptations.

That leads me to my second disheartening realization: it appears the only character that DC can consistently adapt well for film is Batman (though there are some exceptions.) Considering the fact that DC gained its reputation for producing quality animation with Batman: The Animated Series, which is widely regarded as one of the greatest cartoons of all time, I suppose that’s no surprise. I used to think this was only true for DC’s live action films, but it turns out that the same applies for their animated films, too.

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Oct 292011
 


This is going to be a tough one.

All Star Superman is an animated adaptation of the acclaimed comic book series of the same name, written by none other than the infinitely imaginative master of reinvention himself, Grant Morrison, and drawn by similarly popular artist, Frank Quitely. The series, which ran for 12 issues from November 2005 to October 2008, won multiple awards, including three Eisners. It is widely considered to be not only one of the best Superman stories ever written, but also one of the greatest comic book series ever published. Oh, and it’s incredibly popular. You’d be hard-pressed to find a comic book fan who hasn’t read it.

Honestly, I’m surprised DC decided to adapt it as an animated feature at all. Not only does this film have an immense reputation to live up to, but it also takes on a plot that heavily relies on the episodic nature of comic books and tries to force it into a non-episodic form. This movie was set up to disappoint, right from its premise.

I should probably just put a giant disclaimer on this review right now: Grant Morrison is my favorite comic book writer, and I absolutely love the All Star Superman comic series. That said, I started watching this movie feeling extremely skeptical. I knew it wouldn’t live up to the source material, and had serious doubts about whether or not the story would translate well to film.

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Oct 222011
 

After a week-long hiatus due to my having various (mis)adventures at New York Comic Con, Saturday Morning Cartoons is back! It’s week 3 of DC Animated Universe week, and this time around we’ll be looking at a DC movie that is very close to my heart, Green Lantern: First Flight.

This movie was actually my first exposure to the Green Lantern Corps, and piqued my interest enough that I started reading the comics. But does it live up to my fond memory of it? Is it actually a good introduction to the character?

Green Lantern: First Flight tells the story of Hal Jordan (Christopher Meloni), a rogue pilot who stumbles upon an alien crash site during a flight simulation in the California desert. There he is given a green ring that bestows the power to turn thoughts into reality to all who wear it. Once Hal puts on the ring, he is transported to the planet Oa, where he is told that he will receive training to become a member of an intergalactic police force called the Green Lantern Corps, all of whom use the rings to fight crime throughout the galaxy. Well-respected Green Lantern member Sinestro (Victor Garber) takes Hal under his wing. The rest of the film chronicles Hal’s training and first mission as Earth’s Green Lantern member.

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Oct 082011
 

It’s week 2 of DC Animated Universe Month on Saturday Morning Cartoons, and this week we’ll be looking at an animated feature about one of my favorite comic book heroines: Wonder Woman.

I was really looking forward to this one, for a few reasons. First of all, I love the Wonder Woman comic book series, when the character is written well. Just before I watched the movie, I discovered that one of the most celebrated Wonder Woman writers, Gail Simone, had co-written the script. I’d also heard an overwhelming amount of praise for this film, most notably from Bruce Timm, creater of Batman: The Animated Series and god of all things DC animated. Timm claims that Wonder Woman is his favorite DC animated movie. By the time I actually sat down to watch Wonder Woman, my expectations were extremely high.

Did the film live up to my high expectations? To put it simply: no. With a little more emotion: hell no. With the amount of rage that I felt after watching it: WHAT THE ACTUAL F#@% WAS THAT?!

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